One Hundred Years of Solitude

Gabriel José de la Concordia García Márquez


   That encyclopedic coincidence was the beginning of a great friendship. Aureliano continued getting together in the afternoon with the four arguers, whose names were ?lvaro, Germán, Alfonso, and Gabriel, the first and last friends that he ever had in his life. For a man like him, holed up in written reality, those stormy sessions that began in the bookstore and ended at dawn in the brothels were a revelation. It had never occurred to him until then to think that literature was the best plaything that had ever been invented to make fun of people, as ?lvaro demonstrated during one night of revels. Some time would have to pass before Aureliano realized that such arbitrary attitudes had their origins in the example of the wise Catalonian, for whom wisdom was worth nothing if it could not be used to invent a way of preparing chick peas.
   The afternoon on which Aureliano gave his lecture on cockroaches, the argument ended up in the house of the girls who went to bed because of hunger, a brothel of lies on the outskirts of Macondo. The proprietress was a smiling mamasanta, tormented by a mania for opening and closing doors. Her eternal smile seemed to have been brought on by the credulity of her customers, who accepted as something certain an establishment that did not exist except in the imagination, because even the tangible things there were unreal: the furniture that fell apart when one sat on it, the disemboweled phonograph with a nesting hen inside, the garden of paper flowers, the calendars going back to the years before the arrival of the banana company, the frames with prints cut out of magazines that had never been published. Even the timid little whores who came from the neighborhood: when the proprietress informed them that customers had arrived they were nothing but an invention. They would appear without any greeting in their little flowered dresses left over from days when they were five years younger, and they took them off with the same innocence with which they had put them on, and in the paroxysms of love they would exclaim good heavens, look how that roof is falling in, and as soon as they got their peso and fifty cents they would spend it on a roll with cheese that the proprietress sold them, smiling more than ever, because only she knew that that meal was not true either. Aureliano, whose world at that time began with Melquíades?parchments and ended in Nigromanta’s bed, found a stupid cure for timidity in the small imaginary brothel. At first he could get nowhere, in rooms where the proprietress would enter during the best moments of love and make all sorts of comments about the intimate charms of the protagonists. But with time he began to get so familiar with those misfortunes of the world that on one night that was more unbalanced than the others he got undressed in the small reception room and ran through the house balancing a bottle of beer on his inconceivable maleness. He was the one who made fashionable the extravagances that the proprietress celebrated with her eternal smile, without protesting, without believing in them just as when Germán tried to burn the house down to show that it did not exist, and as when Alfonso wrung the neck of the parrot and threw it into the pot where the chicken stew was beginning to boil.
pre:Chapter 18 next:Chapter 20