One Hundred Years of Solitude

Gabriel José de la Concordia García Márquez


   Some months after his arrival, when he was already well-known and well-liked, Aureliano Triste went about looking for a house so that he could send for his mother and an unmarried sister (who was not the colonel’s daughter), and he became interested in the run-down big house that looked abandoned on a corner of the square. He asked who owned it. Someone told him that it did not belong to anyone, that in former times a solitary widow who fed on earth and whitewash from the walls had lived there, and that in her last years she was seen only twice on the street with a hat of tiny artificial flowers and shoes the color of old silver when she crossed the square to the post office to mail a letter to the Bishop. They told him that her only companion was a pitiless servant woman who killed dogs and cats and any animal that got into the house and threw their corpses into the middle of the street in order to annoy people with the rotten stench. So much time had passed since the sun had mummified the empty skin of the last animal that everybody took it for granted that the lady of the house and the maid had died long before the wars were over, and that if the house was still standing it was because in recent years there had not been a rough winter or destructive wind. The hinges had crumbled with rust, the doors were held up only by clouds of cobwebs, the windows were soldered shut by dampness, and the floor was broken by grass and wildflowers and in the cracks lizards and all manner of vermin had their nests, all of which seemed to confirm the notion that there had not been a human being there for at least half a century. The impulsive Aureliano Triste did not need such proof to proceed. He pushed on the main door with his shoulder and the worm-eaten wooden frame fell down noiselessly amid a dull cataclysm of dust and termite nests. Aureliano Triste stood on the threshold waiting for the dust to clear and then he saw in the center of the room the squalid woman, still dressed in clothing of the past century, with a few yellow threads on her bald head, and with two large eyes, still beautiful, in which the last stars of hope had gone out, and the skin of her face was wrinkled by the aridity of solitude. Shaken by that vision from another world, Aureliano Triste barely noticed that the woman was aiming an antiquated pistol at him.
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